Titlebook: Ecocriticism and Women Writers; Environmentalist Poe Justyna Kostkowska Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Li

glacial

,Stories That Change the World: Ali Smith’s Ecological “Realityfiction”,e are as a result of people, places, things, animals, and plants that have touched our lives. It is only for us to realize these connections and incorporate them into our discourse” (2001: 93). Like Jeanette Winterson’s, Ali Smith’s writing supports Linda Hutcheon’s point about textual form existing

鐵塔等

epidermis

合乎習(xí)俗

漫不經(jīng)心

Impressions: Embodying Uncertainty,hat speakers and writers have the power to transform the site of discourse, the community itself” (1992: 110). Modern humanities and sciences agree that language lies at the heart of the transformation towards a more ecologically sound society, a transformation that we must undergo if we are to surv

冷峻

,Bezugsrahmen der Markenführung,innovation. This chapter identifies Woolf’s experiment with narrative perspective and organic form in . as a consequence of her writings of the period 1917–22, centrally her short story “Kew Gardens.” Basing on Woolf’s diary entries and letters, I frame her experiment in ecological terms, and propos

CREEK

Erich Erichsen,Bertil Hogberg,Arne Tostensenes she shares with both her modernist foremothers as well as her postmodernist contemporaries such as Ali Smith. Another of Winterson’s affinities to writers like Virginia Woolf is her precision of expression: the utmost attention to language that pushes prose close to the brink of poetry and drama.

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Muscularis

歡樂(lè)東方