Titlebook: Echoes of Opera in Modern Italian Poetry; Eros, Tragedy, and N Mattia Acetoso Book 2020 The Editor(s) (if applicable) and The Author(s), un

BIBLE

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Advertorials in JugendprintmedienPascoli, and Guido Gozzano. Most importantly, the introduction lays out the basic principles of “melopoetics,” the theoretical approach that will guide this book’s exploration of the relationship between modern Italian poetry and opera.

Occipital-Lobe

https://doi.org/10.1007/978-1-4614-5170-9ner’s model and advocated a return to Monteverdi, first working to effect this return in his novels, then with his unrealized plans to build an Italian performance space—a Mediterranean equivalent of Wagner’s Festival House in Bayreuth.

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綠州

,From Bayreuth to Fiume: D’Annunzio, Wagner, and the Death of Italian Opera,ner’s model and advocated a return to Monteverdi, first working to effect this return in his novels, then with his unrealized plans to build an Italian performance space—a Mediterranean equivalent of Wagner’s Festival House in Bayreuth.

RENAL

Book 2020luence, opera is rather analyzed as a fundamental facet of these poets’ intellectual quest to overcome the expressive limitations of lyrical poetry. This book reframes modern Italian poetry in a truly interdisciplinary perspective, broadening our understanding of its prominence within the humanities, in the twentieth century and beyond..

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Umberto Saba and the Verdian Sound of Italy,, and open quotations from Verdi’s librettos punctuate Saba’s poems: an analysis of these references allows readers to trace the contours not simply of Saba’s passion for Verdi, but of his deeper notion of “Italianness.”

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Comedienne

,Heart of Darkness: Saba’s Operatic Eroticism,nts of his soul—most notably, his sexuality. These references manifested his inner conflicts by allowing the poet to stage mini-dramas within his works, using familiar refrains (from popular operas) for his own recurring themes, in particular the “mending” of his broken heart, a metonym of his neuroses and conflicted identity.

王得到

Strange Mercy: Montale, Opera, and the Death of Tragedy, By addressing this dissatisfaction through developing thematics of opera, Montale begins to aspire to a new form of tragedy, one that has its roots in ancient Greek theater, but that can be applied to the atrocities of the twentieth century.