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Titlebook: Echo and Meaning on Early Modern English Stages; Susan L. Anderson Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 sound st

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發(fā)表于 2025-3-25 06:29:19 | 只看該作者
An Overview of Polymer Processing Modelling,ho as amplification to represent union. This chapter then examines several of Ben Jonson’s masques, including the . (1605) and of . (1608)? which include echo effects in Ferrabosco’s song settings. This chapter reads the masque as a dance genre, and one in which music is indivisibly linked to repeti
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發(fā)表于 2025-3-25 11:09:50 | 只看該作者
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發(fā)表于 2025-3-25 12:26:32 | 只看該作者
Susan L. AndersonAnalyzes music’s importance in theatrical performance.Synthesizes the approaches of music studies and sound studies.Examines the complex interactions between sound, meaning, and historical context.Inc
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發(fā)表于 2025-3-25 16:17:17 | 只看該作者
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發(fā)表于 2025-3-26 12:30:01 | 只看該作者
Echo, Dance and Song in Jacobean Masques,ho as amplification to represent union. This chapter then examines several of Ben Jonson’s masques, including the . (1605) and of . (1608)? which include echo effects in Ferrabosco’s song settings. This chapter reads the masque as a dance genre, and one in which music is indivisibly linked to repeti
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發(fā)表于 2025-3-26 15:02:04 | 只看該作者
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