Titlebook: Eastern Resonances in Early Modern England; Receptions and Trans Claire Gallien,Ladan Niayesh Book 2019 The Editor(s) (if applicable) and T

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Growth and asexual reproduction,izabeth as Sheba foregrounds an international dimension to her fame and was intended to enable the English queen to resonate in the Islamic courts of Marrakesh and Constantinople, where Elizabeth’s emissaries sought to promote English interests at a time of conflict with Spain.

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Statistical Models Based ECG Classification,this text made to the notion of Shakespeare as a native genius, free from schoolroom classicism, arguing that Richard Farmer—main proponent of this theory in his influential . (1767)—has been misinterpreted: Farmer presented no lone genius, but a Shakespeare engaged in a rich scholarly culture of translations and translators.

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The Assessment and Selection of Hedge Funds,ges’ evolving functions and modes of display together with the career paths of colonial administrators, both as employees of the East India Company and aspirant scholars desirous of promoting their newly acquired expertise on Indian antiquities within metropolitan networks and institutions.

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Book 2019ented by making contact with another surface. This collection uses resonance as an innovative framework for understanding the circulation of people and objects between England and its multiple Asian Easts. Moving beyond Saidian Orientalism to engage with ongoing critical conversations in the fields

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2946-5338 nineteenth century.Features case studies focused on materialThe concept of resonance collapses the binary between subject and object, perceiver and perceived, evoking a sound or image that is prolonged and augmented by making contact with another surface. This collection uses resonance as an innovat

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https://doi.org/10.1007/978-1-4614-3348-4est exchanges beyond adversarial binaries, thereby facilitating cross-disciplinary interactions and engagements with recent developments in material and global studies. The introduction further presents the argument of the three sections of the book: resonant identities, textual resonances, and aesthetic resonances.

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Introduction,between Britain and its multiple Asian Easts. Providing the volume with its coherence and terminology, the concept offers a new way of thinking east–west exchanges beyond adversarial binaries, thereby facilitating cross-disciplinary interactions and engagements with recent developments in material a