Titlebook: Eastern European Popular Music in a Transnational Context; Beyond the Borders Ewa Mazierska,Zsolt Gy?ri Book 2019 The Editor(s) (if applica

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Leaven

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Francesca Mastorci,Jacopo Agrimimic, and aesthetic influences and dependencies of the mainstream music scene intertwined with what was perceived as an alternative society’s resistance to the system. In the music underground, the moral demand to be authentic led to the appropriation of the images, ideas, styles, and genres of other

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https://doi.org/10.1007/978-3-030-69955-0 superstyle, and, on the other, the local pop-folk musical production in the Balkans themselves. Although both of these genres are characterised by similar features (hybridity, Oriental sounds, transnationalism), they actually create and express two parallel worlds. While Balkan world music has rece

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Celine A. Saulnier,Cheryl Klaiman featuring both international super-productions and emerging local talent, the Sziget experience offered a window to global trends in an atmosphere resembling that of a giant house-party. This chapter examines the event’s internationalisation and the challenges this meant for its local fanbase of mi

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