Titlebook: East German Cinema; DEFA and Film Histor Sebastian Heiduschke Book 2013 Sebastian Heiduschke 2013 Berlin.cinema.Europe.fascism.film.film hi

顛簸下上

The Rubble Film, Wolfgang Staudte, and Postwar German Cinema: , (,, Wolfgang Staudte, 1946)al Film Festival to moviegoers of the 2006 retrospective of DEFA cinema at the New York Museum of Modern Art. Many factors contributed to making this story set in postwar Berlin not only a milestone of DEFA but also of German cinema.

防御

The Birth of DEFA Genre Cinema, East German Sci-fi Films, New Technologies, and Coproduction with Eam of scientists on an expedition to planet Venus. Studying . from a variety of angles, as we will see, reveals a fascinating glimpse into East German filmmaking at the end of the 1950s. . also set a number of records: DEFA’s first science fiction film, its first genre film, and the “most expensive DEFA film ever made.”

舔食

Gender, Class, and Sexuality: Ending Taboos in , (,, Heiner Carow, 1973)te’s infiltration of the private sphere, the persistent challenge of hypocritical behavior in socialism, and the depiction of sex on-screen ensured a winning combination with the public. Structured around dichotomies, . presented a love story that suggested East Germany’s ambivalence toward gender and class.

阻撓

Laconic

使服水土

Passed by History: Dystopia, Parable, and Bookend: , (,, Peter Kahane, 1990) way, the film works both as Kahane reckoning with an East Germany that suffocates its citizens and as an appropriate conclusion to a DEFA cinema that started in rubble and now ends in symbolic rubble..

Hyperplasia

nauseate

Introductionvering virtually all periods and genres, from the silent film of the expressionist era to the films of the Berlin School. I introduced Westerns, comedies, dramas, documentaries, newsreels, animated pieces, short films, mainstream, and independent productions—you name it. I taught masterpieces and ob

積極詞匯

East German Cinema as State Institutionegins in 1946, before East Germany even existed, and ends in 1992, two years after East Germany’s demise. To be more precise, these dates mark the beginning and end of the film company Deutsche Filmaktiengesellschaft (DEFA). This DEFA, however, has become the countenance of East German “national cin

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