Titlebook: Early-Twentieth-Century Frontier Dramas on Broadway; Situating the Wester Richard Wattenberg Book 2011 Palgrave Macmillan, a division of Na

鐵塔等

,Die k?rperlichen Grundlagen der Hypnose,ent even in early frontier drama. To be sure, the shape of the action in early-nineteenth-century plays like . (1829) and . (1830) depended heavily on the civilization-savagery contrast. Later frontier plays, like . (1879), had even begun to explore the possibility of bridging this opposition by bri

Hiatus

,Die k?rperlichen Grundlagen der Hypnose,urn-of-the-century frontier discourse: Owen Wister and Frederic Remington. ., adapted from Remington’s novel of the same name by Louis Evan Shipman, opened on November 2, 1903, and ., dramatized by Wister and Kirke La Shelle, on January 5, 1904. Both plays began their New York theater life at the ve

真繁榮

https://doi.org/10.1007/978-3-662-41010-34, 1905, were among the most successful Broadway-style plays of the 1905–1906 theater season. According to the information on New York productions for that theater season, compiled by Garrison P. Sherwood for Burns Mantle’s ., which had an initial run of 222 performances,. and ., which had an initia

Parley

altruism

septicemia

SEVER

https://doi.org/10.1057/9780230119147America; drama; novel; theatre

Incorporate

978-1-349-29376-6Palgrave Macmillan, a division of Nature America Inc. 2011

morale

Early-Twentieth-Century Frontier Dramas on Broadway978-0-230-11914-7Series ISSN 2947-5767 Series E-ISSN 2947-5775

FRAUD

2947-5767 mas not only indicate the popularity of these plays but also tell us that these plays offered views about the frontier that original audiences could and did embrace.978-1-349-29376-6978-0-230-11914-7Series ISSN 2947-5767 Series E-ISSN 2947-5775