Titlebook: Early Women Dramatists 1550–1801; Margarete Rubik Textbook 1998Latest edition Margarete Rubik 1998 drama.dramatist.Renaissance.women

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Grabenwarter Christoph DDr., Univ. Prof.cripts, but in general were unwilling to take risks with untried new playwrights, male or female, and preferred to put on an old favourite, or a play by a dramatist who had already made a name. It was difficult for a woman to establish the necessary connections and to gain an introduction, unless sh

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https://doi.org/10.1007/978-3-662-32634-3publish her collected dramatic works in folio editions, in 1662 and 1668 — indeed, the first female playwright ever to bring out her work — was Margaret Lucas Cavendish, Duchess of Newcastle (the stepmother to Elizabeth and Jane, discussed in Chapter 1). Yet, like her aristocratic predecessors, she

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https://doi.org/10.1007/978-3-662-40122-4. Indeed, Behn was the first professional woman playwright who made a regular income from writing for the theatre, ‘forced to write for Bread and not ashamed to owne it,’ as she says in her Address to the Reader in . Whether she was in fact able to support herself by writing is questionable, though.

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