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Titlebook: Early Modern Intertextuality; Sarah Carter Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 Plurality of discourse.Cultural

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發(fā)表于 2025-3-21 16:56:53 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Early Modern Intertextuality
編輯Sarah Carter
視頻videohttp://file.papertrans.cn/301/300773/300773.mp4
概述Suggests that the theory of intertextuality can be applied to early modern literature in a variety of specific ways that surpass simple identification of classical references yet are historically spec
叢書名稱Early Modern Literature in History
圖書封面Titlebook: Early Modern Intertextuality;  Sarah Carter Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 Plurality of discourse.Cultural
描述This book is an exploration of the viability of applying the post structuralist theory of intertextuality to early modern texts. It suggests that a return to a more theorised understanding of intertextuality, as that outlined by Julia Kristeva and Roland Barthes, is more productive than an interpretation which merely identifies ‘source’ texts. The book analyses several key early modern texts through this lens, arguing that the period’s conscious focus on and prioritisation of the creative imitation of classical and contemporary European texts makes it a particularly fertile era for intertextual reading. This analysis includes discussion of early modern creative writers’ utilisation of classical mythology, allegory, folklore, parody, and satire, in works by William Shakespeare, Sir Francis Bacon, John Milton, George Peele, Thomas Lodge, Christopher Marlowe, Francis Beaumont, and Ben Jonson, and foregrounds how meaning is created and conveyed by the interplay of texts and the movement between narrative systems. This book will be of interest to undergraduate and postgraduate students of early modern literature, as well as early modern scholars. ??
出版日期Book 2021
關(guān)鍵詞Plurality of discourse; Cultural ideologies; Instability of texts; Julia Kristeva; Semiotics; Structurali
版次1
doihttps://doi.org/10.1007/978-3-030-68908-7
isbn_softcover978-3-030-68910-0
isbn_ebook978-3-030-68908-7Series ISSN 2634-5919 Series E-ISSN 2634-5927
issn_series 2634-5919
copyrightThe Editor(s) (if applicable) and The Author(s) 2021
The information of publication is updating

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978-3-030-68910-0The Editor(s) (if applicable) and The Author(s) 2021
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Kevin G. McLure,Michael B. Kastan on Peele’s . and Shakespeare’s ., as both have a focus on tales, ‘old wives’, and lost children. Similar patterns also manifest in the seemingly culturally removed . by John Milton, arguably to his own political ends. The intertextual relationship between these texts illustrates fundamental indicat
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A-M. Mingers,N. Heimburger,E. Lutz of the target of that satire, be that another literal text, a more expansive understanding of ‘text’ as discourse, belief, or idiom, or an individual. Jonson’s satirical play . is intensely intertextual, presenting Jonson’s ongoing feud with some of his contemporaries in a framework of the producti
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