Titlebook: Early Modern Diplomacy, Theatre and Soft Power; The Making of Peace Nathalie Rivère de Carles Book 2016 The Editor(s) (if applicable) and T

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The Ambassador as Proteus: Indirect Characterization and Diplomatic Appeasement in , and ,n the appeasement of dramatic conflicts. Finally, we analyse how diplomatic indirect characterization, especially in a tragicomic context, is an oblique strategy of appeasement (the diplomatic .) and a subtle discussion of both the principal’s hubris and the ambassador’s ill counsel.

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Galleries and Soft Power: The Gallery in ,enalties are severe, peace-making requires a more contemplative and timeless venue that facilitates shared wonder. Paulina’s gallery, with its rare sculpture by master artist Giulio Romano, is just such a venue. Culturally, the gallery was gendered masculine (a place for male connoisseurs to gather

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Marginal Diplomatic Spaces During the Jacobean Era, 1603–25s at court, but they also met in informal marginal places such as gardens, parks, private houses and, on occasion, in an informal manner in the Presence Chamber. From an exploration of early modern diplomatic relations, we can identify the types of non-residential spaces of diplomatic exchanges and,

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Venetian Merchants as Diplomatic Agents: Family Networks and Cross-Confessional Diplomacy in Early Me Tridentine orthodoxy and to the Renaissance ideal of the pious merchant described by Leon Battista Alberti and Benedetto Cotrugli, their private correspondence reveals a keen ability to move across religious borders, keeping contact with Protestant England and with several Italian reformers in Ven

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