Titlebook: debbie tucker green; Critical Perspective Sian Adiseshiah,Jacqueline Bolton Book 2020 The Editor(s) (if applicable) and The Author(s) 2020

dragon

,‘change ain’t fuckin polite, scuse my language’: Situating debbie tucker green,). It reflects on scholarly debates within tucker green scholarship, teasing out key questions that are pertinent to how her work has been understood. The chapter articulates a primary concern of this volume, which is not only to emphasize the central importance of tucker green as a black woman play

旅行路線

Black Rage: Diasporic Empathy and Ritual in debbie tucker green’s the history and persistence of institutional racism in the British criminal justice system. However, it is only in the play’s final moments that tucker green’s intentions to explore themes of racial violence within a broader historical and geographical context become clear. This chapter argues that

拔出

‘What About the Burn Their Bra Bitches?’: debbie tucker green as the Willfully Emotional Subjectwoman-centred dramaturgy, including its use of strong, often negative, emotions, and its refusal of dramaturgical norms. The chapter traces willfulness as an aspect of tucker green’s characterization with particular focus on the figure of Dawta in . (2003). It also considers the willful emotionality

范例

Matrimony

Engaging with Human Rights: , and ue that these dramas go beyond raising awareness of injustice to present complex ethical questions stemming from the specific and subjective experience of those affected. Insisting on the significance of axes of power and discrimination, tucker green encourages spectators to reflect on the impact of