Titlebook: Drones in Society; New Visual Aesthetic Elisa Serafinelli Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive licens

obesity

書目名稱Drones in Society影響因子(影響力)




書目名稱Drones in Society影響因子(影響力)學科排名




書目名稱Drones in Society網絡公開度




書目名稱Drones in Society網絡公開度學科排名




書目名稱Drones in Society被引頻次




書目名稱Drones in Society被引頻次學科排名




書目名稱Drones in Society年度引用




書目名稱Drones in Society年度引用學科排名




書目名稱Drones in Society讀者反饋




書目名稱Drones in Society讀者反饋學科排名

Migratory

Monstrous Mobilities and Predatory Perspectives: Drone Shots and the Gaze of Monstersigh camera position by evoking the movement of disembodied military technology, here re-embodied as a non-human predator. Sabeen Ahmed (.(2), 382–410, 2018) argues that the phenomenological experience of living under drone warfare is one of a ‘space of death’; following Ahmed, we argue that the mobi

使?jié)M足

oracle

Consumer Drone Warfare: Practices, Aesthetics and Discourses of Consumer Drones in the Russo-Ukrainiequently—our day-to-day lives. We posit that the intimate depictions of violence produced by consumer drones serve (at least) two functions: they allow a besieged state to perform (aerial) sovereignty while eliciting support for the war effort?at the same time, for example through crowdfunding schem

不給啤

The Tourist Drone: Commercial Visions and Practical Considerationszed” with handheld cameras, places now become “dronisized” in the vertical and horizontal exploration by flying camera. “Seeing the world as a picture” transforms into “seeing the world as a parkour” in FPV drone videography. The chapter concludes with considerations for future research as well as t

Cultivate

Cultivate

遺傳學

直覺好

淺灘