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Titlebook: Drones and the Annihilation-Image in Contemporary Warfare ; The Case of ‘Eye in Gabriel F.Caetano Book 2024 The Editor(s) (if applicable)

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發(fā)表于 2025-3-21 18:47:21 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Drones and the Annihilation-Image in Contemporary Warfare
副標(biāo)題The Case of ‘Eye in
編輯Gabriel F.Caetano
視頻videohttp://file.papertrans.cn/285/284828/284828.mp4
概述analyses the implications of the use of drones in contemporary warfare.uses the film Eye in the Sky as a strategic case-study to underline the links between Washington and Hollywood.re-conceptualizes
叢書名稱Global Political Sociology
圖書封面Titlebook: Drones and the Annihilation-Image in Contemporary Warfare ; The Case of ‘Eye in  Gabriel F.Caetano Book 2024 The Editor(s) (if applicable)
描述.This book analyses the entanglement between Washington and Hollywood to shed light on the violence inherent in the image as a semiotic-material agent in contemporary warfare. In the 21st century, the weaponized military drone, an image-centered machine, has spearheaded the geopolitical curatorship of the USA in the context of the war on terror. Drone violence shares the same characteristics as cinema: image and movement. However, a drone‘s image is not purely a reflection of the nature of war; it is more than representational, it is performative. Building upon the concept of annihilation-image, this book argues that the image wields a destructive agency as it transitions from reflection to diffraction. Rather than mirroring reality, the annihilation-image creates a brutal pattern of difference in the world. It is a destructive ontology in which seeing and annihilating are in a state of superposition. Therefore, everything that is framed is potentially dead. That is to say, by framing bodies and objects in the terrain, a state of superpositional violence is created in which one is alive, but virtually dead..
出版日期Book 2024
關(guān)鍵詞Annihilation-image; Drones; War; Cinema; Technology; Eye in the Sky
版次1
doihttps://doi.org/10.1007/978-3-031-70435-2
isbn_softcover978-3-031-70437-6
isbn_ebook978-3-031-70435-2Series ISSN 2946-5559 Series E-ISSN 2946-5567
issn_series 2946-5559
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 22:11:35 | 只看該作者
板凳
發(fā)表于 2025-3-22 02:31:37 | 只看該作者
2946-5559 he links between Washington and Hollywood.re-conceptualizes .This book analyses the entanglement between Washington and Hollywood to shed light on the violence inherent in the image as a semiotic-material agent in contemporary warfare. In the 21st century, the weaponized military drone, an image-cen
地板
發(fā)表于 2025-3-22 05:52:46 | 只看該作者
Richard Hautmann,Hartwig Huland and when the drone emerged. It is worth noting that the drone as an artifact is the result of socio-technical fruition that, for centuries, has informed protean ways of waging war and updating violence from a distance.
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發(fā)表于 2025-3-22 09:28:34 | 只看該作者
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發(fā)表于 2025-3-22 16:39:57 | 只看該作者
Thinking and Writing (Politics) Cinematically: The Cinematic Mode of Political Theorizing,ortance in the creative process that explores the entanglement between Washington and Hollywood. In the first instance, I argue that the way the discipline of International Relations approaches cinema must go beyond using images as a mirror of reality, that is, in their representational form.
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發(fā)表于 2025-3-22 20:22:20 | 只看該作者
Aesthetics and International Relations: An Overview of Sensible Politics,n repertoire of the IR discipline. Among the concepts mobilized by IR to try to explain or understand the phenomena of international politics, these categories, as we will see, have historically occupied no more than a place on the margins of the field.
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發(fā)表于 2025-3-22 22:04:46 | 只看該作者
Drones: A Visual, Vertical, and Virtual Genealogy,n” or a definitive, divine, mythical, or privileged position (Said, E. W. in Beginnings: Intention and method. Columbia University Press, 1985) on how and when the drone emerged. It is worth noting that the drone as an artifact is the result of socio-technical fruition that, for centuries, has infor
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發(fā)表于 2025-3-23 03:05:02 | 只看該作者
Washington and Hollywood: An Entanglement,antasmagoria, a hallucination… it can also be a practical, haptic effect, a symptom, a living structure. The fact is that images permeate all social layers and manifest in various political phenomena, including, of course, war.
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發(fā)表于 2025-3-23 07:05:45 | 只看該作者
Becoming-Drone: From Military Scopophilia to Annihilation-image, Sky (2015) to demonstrate, through the concept of the ., how drone violence moves from representation to destruction. In annihilation-image, ways of seeing and forms of annihilating are superimposed; the image in/of war is no longer passive and reflective, but active and diffractive, suggesting tha
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