Titlebook: Dance, Performance and Visual Art; Intersections with M Linda E. Dankworth,Henia Rottenberg,Deborah Willia Book 2024 The Editor(s) (if appl

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Inflated

發(fā)現(xiàn)

Process to Performance: Merce Cunningham and Richard Hamiltonduals entrusted with imparting knowledge of Cunningham’s repertoire and restaging it for an international dance community. Dance companies were not authorised to perform his repertoire until after the initiation of the Legacy Plan by members of the Cunningham Dance Foundation in 2009. One question a

Ringworm

From Page to Stage: Irish Dance Costumes and Illustrations from the Book of Kells followed by the ornamentation of Irish step dance costumes from the 1920s onwards. This chapter explores the adoption of Kells-based decorations for step dance outfits and describes how such costumes were employed to promote a cultural nationalism based on principles akin to those possessed by the

安慰

Articulating Dancing Bodies: Social and Pictorial Representations in Early Buddhist Arts from Indiabody of other characters are depicted with equal care and attention and are important as tangible remnants. For example, the figures in the Jataka stories in Ajanta painting belonging to different historical periods provide clear socio-historical frames of reference that can be re-affirmed through t

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ciliary-body

encomiast

faculty

ted and modern art and all their social aspects of human life. Digitization also remains a strong focus in both dance and its representation in performance contexts and place in social constructs of societies.978-3-031-69086-0978-3-031-69084-6

Visual-Acuity

r dance . (1998). With her all-male company, she plays with and deconstructs his gender and desire representations, thus elaborating on discourses of feminist critique of her era. Arkadi Zaides’ solo . (2014) was created from violent materials filmed by Palestinian volunteers of Israeli settlers in