Titlebook: Dramatizations of Social Change; Herman Heijermans’ p Hilda Neck Yoder Book 1978 Springer Science+Business Media Dordrecht 1978 drama.Henri

deliberate

書目名稱Dramatizations of Social Change影響因子(影響力)




書目名稱Dramatizations of Social Change影響因子(影響力)學科排名




書目名稱Dramatizations of Social Change網(wǎng)絡公開度




書目名稱Dramatizations of Social Change網(wǎng)絡公開度學科排名




書目名稱Dramatizations of Social Change被引頻次




書目名稱Dramatizations of Social Change被引頻次學科排名




書目名稱Dramatizations of Social Change年度引用




書目名稱Dramatizations of Social Change年度引用學科排名




書目名稱Dramatizations of Social Change讀者反饋




書目名稱Dramatizations of Social Change讀者反饋學科排名

Seminar

Chandelier

https://doi.org/10.1007/978-94-017-6840-5drama; Henrik Ibsen; play; social change

mediocrity

upstart

Ancillary Functions for plot( )he rejected those values and life styles which he felt belonged to the past period dominated by the bourgeoisie, and sought out situations and a profession which would attune him to the future when, he hoped, the proletariat would be in power. He left the conservative business milieu of Rotterdam in

集聚成團

Functions That Plot Multiple Plots presented the Dutch audience with a powerful characterization of Sachel, the old Jewish rag-dealer, whose life is falling apart when his son Rafa?l confronts him with severe criticism and rejection of the Jewish religion and of the business practices accepted in the ghetto. However, beside the stro

集聚成團

Formatting and Plot Management Tools. and . are usually considered the plays in which Heijermans expressed his faith in and sympathy for the proletariat. His reputation as a champion of the poor and a writer of socialist plays is based on these two dramas. Written, respectively, in 1900 and 1901, . and . represent the end of the perio

慢慢沖刷

https://doi.org/10.1007/978-1-4842-6831-5 plays. Flaxman searches for the sympathy with workers under a . economy which he finds in Op Hoop van Zegen. To him, “the Socialism in . … is so much more a matter of induction than in the earlier plays, that many of the critics praised the play for its lack of tendenz” (p. 114). He himself wishes

眼界

FLIP