Titlebook: Dramatic Psychological Storytelling; Using the Expressive Rob Allen,Nina Krebs Book 2007 Palgrave Macmillan, a division of Macmillan Publis

不如樂死去

Douglas M. Considine P.E.,Glenn D. ConsidineThe term ‘playwright’ describes not only one who writes a play, but one who ‘crafts’ a ‘drama’. A . is a maker, a creator — one who constructs something. In . (DPS), we focus on ., meaning ‘to express’ the story, ‘your story’/‘our story’ by reflecting on an incident, crisis, adventure, circumstance or disturbance.

漸變

Douglas M. Considine P.E.,Glenn D. Considine., a special effect that fast forwards, rearranges and transforms, appeared early in film-making to elevate movies from documentation to magic. A scene appears, dissolves and reappears transformed. A variation on this theme can happen in real life.

Estimable

FilmFilm can freeze action. It can examine minute details of expressions and gestures. It can rewind and fast forward. It is immortal and may be repeated to review again or share with others. These aspects have reshaped . expression.

Mhc-Molecule

Ritual and EpicRitual and Epic have a profound impact on us personally, interperson-ally and collectively. Rituals help establish our identity and influence with whom we identify. In another way, Epics transform us; these are events that we live through, either directly or vicariously, that we will always remember.

TOXIC

exhilaration

毗鄰

變態(tài)

Range-Of-Motion

充氣球

Douglas M. Considine P.E.,Glenn D. Considinehuman resource profes-sional. Through the Expressive Arts, story and dramatic expression, DPS creates a vehicle for exploring experience(s) or psychological dynamics that seem significant and important. DPS also provides a process for reviewing and managing conflict.