Titlebook: Drama and the Sacraments in Sixteenth-Century England; Indelible Characters David Coleman Book 2007 Palgrave Macmillan, a division of Macmi

FETUS

書目名稱Drama and the Sacraments in Sixteenth-Century England影響因子(影響力)




書目名稱Drama and the Sacraments in Sixteenth-Century England影響因子(影響力)學(xué)科排名




書目名稱Drama and the Sacraments in Sixteenth-Century England網(wǎng)絡(luò)公開(kāi)度




書目名稱Drama and the Sacraments in Sixteenth-Century England網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書目名稱Drama and the Sacraments in Sixteenth-Century England被引頻次




書目名稱Drama and the Sacraments in Sixteenth-Century England被引頻次學(xué)科排名




書目名稱Drama and the Sacraments in Sixteenth-Century England年度引用




書目名稱Drama and the Sacraments in Sixteenth-Century England年度引用學(xué)科排名




書目名稱Drama and the Sacraments in Sixteenth-Century England讀者反饋




書目名稱Drama and the Sacraments in Sixteenth-Century England讀者反饋學(xué)科排名

出生

conifer

2634-5919 forms, such as morality plays. Offering new insights into the religious practices on which early modern subjectivity is founded. Coleman offers radical new ways of reading canonical Renaissance plays.978-1-349-35848-9978-0-230-58964-3Series ISSN 2634-5919 Series E-ISSN 2634-5927

浮雕寶石

Processes

John Bale and the Politicisation of Sacramentality,d literary historian — at one stage a member of the Carmelite order, later a bishop of the Church of England — was the first dramatist to put an English king on the stage. ., the play in question, has frequently been understood as introducing political concerns directly into the religious drama of m

Blazon

Blazon

Interrogating Sacramentality: The Drama of Christopher Marlowe, consensus has long been that Woodes’s play functions as a “source” for Marlowe’s..Yet this should not lead us to neglect the wide variety of approaches to the sacraments in Marlowe’s drama; in addition to Faustus’s despair, for example, we can find Barabas’s manipulation of ritual and Tamburlaine’s

只有

intimate

Afterword,e historical criticism of the 1980s began with some groundbreaking studies of Renaissance religion in the work of Jonathan Dollimore, Alan Sinfield and Stephen Greenblatt, new historicism and cultural materialism in the 1990s seemed unable to sensitively explore the intense theological uncertainty o

外表讀作