Titlebook: Dracula and the Eastern Question; British and French V Matthew Gibson Book 2006 Palgrave Macmillan, a division of Macmillan Publishers Limi

genuine

https://doi.org/10.1007/978-1-4039-3768-1 Byron, and the clash of personalities between the two which erupted while Polidori was staying with Byron as his physician, critics have understandably regarded Aubrey, the young accomplice of Ruthven on his disgraceful travels through Belgium, Italy and Greece, as a projection of Polidori’s own su

NORM

https://doi.org/10.1007/978-1-4039-3768-1nancy as owner and editor of . (1861–69), show that he may have harboured an interest in Irish politics, particularly from July 1867 onwards,. no references to Hungary, the Austrian Empire or the Ottomans survive which might provide us with an insight into his views on events in Eastern Europe and b

Irritate

貪婪性

,Naipaul’s Critics and Postcolonialism,theme in 1909, ., in which he went to extraordinary lengths to create the trappings and history of an entirely fictitious Balkan nation state between Greece, Albania, Serbia and Bulgaria, in the mode of Anthony Hope’s Ruritania, or even Hope’s later novel, . (1906). In Stoker’s new novel, a young En

avarice

crease

Constructors and the Object Lifecycle,al sense and in terms of a local political situation. However, whereas Stoker was to use Transylvania as a convenient site for representing the wider political ramifications of the Eastern Question, Verne instead simply centres upon a local political argument between Hungarians and Rumanians in Tran

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Ottoman and Austro-Hungarian politics. Gibson analyzes their works to reveal that the vampire acts as an allegory of the Near East through which constitutes a challenge to the ‘orientalism‘ argument of today.978-1-349-54441-7978-0-230-62768-0

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Book 2006This book sets the writings of Merimee, Le Fanu, Stoker and Verne in the context in which they were written - namely the response to Balkan, Ottoman and Austro-Hungarian politics. Gibson analyzes their works to reveal that the vampire acts as an allegory of the Near East through which constitutes a challenge to the ‘orientalism‘ argument of today.

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