Titlebook: Dracula; An International Per Marius-Mircea Cri?an Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Bram Stoker.The Gothic.th

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,The Discourse of Italy in Nineteenth Century Irish Gothic: Maturin’s ,, Le Fanu’s Exotic Tales, andn Le Fanu, although employing the stock machinery of the genre, have specificities of their own that, far from offering reflections of Italy, reveal Ireland’s image of itself and convey its anxieties. The excess of violence that is present in Maturin’s and Le Fanu’s tales may be due to an ideologica

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,“Bloodthirsty and Remorseless Fangs”: Representation of East-Central Europe in Edgar Allan Poe’s Gomation of “the land beyond the forest” into the home of the terrifying Count Dracula. Poe’s imagined Hungary reflects some themes or motifs typical for the cultural representation of 19th century North America, such as the horse, the fight for territory or the revenge. . has terror accents gradually

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Spirited Away: Dream Work, the Outsider, and the Representation of Transylvania in the Pied Piper af metaphorical crossroads between Germany, Romania and England. This essay explores the effects of this shift and the significance of Transylvania as the supposed destination of the children. It draws some parallels with the Dracula myth, which was transported to Germany from the Britain and Romania

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,Count Dracula’s Address and Lifetime Identity,a to that of Vlad III Dracula. 2) That Bram Stoker never picked a precise location for Castle Dracula. This essay attempts to demonstrate that Michael the Brave, not Vlad III Dracula, probably was the historical person Stoker hinted at while having Professor van Helsing and Mina describe the Count a

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Castle Hunedoara and the Dracula Myth: Connection or Speculation?,n fictional images and real places in Romania. The search for a real model for Castle Dracula has concerned both literary criticism and Dracula tourists for long. This chapter discusses some contemporary tendencies to associate Hunedoara Castle with the Dracula myth, and analyses the representation

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Location and the Vampire: The Impact of Fictional Stories upon Associated Locations,iction, creates an enthralling experience for those fortunate enough to pilgrimage to these famed destinations. For vampire genre readers, settings span the globe, from the mountains of Romania, to the streets of New Orleans, and the rainy hills of Forks, Washington. This paper examines locales depi

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