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Titlebook: Dostoevsky‘s Greatest Characters; A New Approach to "N Bernard J. Paris Book 2008 Palgrave Macmillan, a division of Nature America Inc. 200

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發(fā)表于 2025-3-23 10:59:29 | 只看該作者
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發(fā)表于 2025-3-23 16:14:12 | 只看該作者
John Loughran,Amanda Berry,Pamela Mulhallneeds in actuality but contents himself with vicarious satisfactions and mental maneuvers that give safe expression to the warring facets of his personality. His strategy is working fairly well when we first encounter him in the novel, for he gets along with his father despite his resentments and remains undisturbed when others are upset.
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發(fā)表于 2025-3-23 21:32:22 | 只看該作者
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發(fā)表于 2025-3-24 10:32:55 | 只看該作者
978-1-349-37133-4Palgrave Macmillan, a division of Nature America Inc. 2008
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發(fā)表于 2025-3-24 12:56:32 | 只看該作者
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發(fā)表于 2025-3-24 17:41:51 | 只看該作者
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發(fā)表于 2025-3-24 20:30:12 | 只看該作者
Truth and Language, Natural and Formals brings us to the underground man as diarist. One of the reasons he gives for composing his notes is that he hopes to obtain “relief” from his oppressive memories by writing them down (I, xi). Maybe he can “get rid” of them in that way. This effort fails, for at the end he says that his notes have
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發(fā)表于 2025-3-25 02:21:43 | 只看該作者
https://doi.org/10.1007/978-94-017-9673-6 perspectives, with thematic approaches dominating. In “Notes from Underground,” the first person narration makes it difficult to determine where the author stands; the work’s thematic import can be established only by placing it in its historical context and appreciating its parodistic and satiric
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