Titlebook: Doris Lessing; Margaret Moan Rowe Textbook 1994Latest edition Macmillan Publishers Limited 1994 Africa.African.bibliography.edition.fictio

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開始發(fā)作

,‘Charting the New Territory’: ,,he present or the past. Another title for ., the fourth volume in the series, might have been ., for everywhere there are signs that temporal as well as spatial constraints will have to be overcome by Martha Quest. The ‘star’s different time-scale’ (L, p. 386) of which Thomas Stern speaks attracts M

預(yù)兆好

photopsia

Re-entry: ,, and ,, quite lively, intelligent novels. Above all, current British literature is provincial’ (SPV, p. 15). That declaration was made as Lessing was in the middle of writing ., a series that could be labelled neither small nor provincial. Twenty-three years later, Doris Lessing spoke with Christopher Bigs

GEN

,‘The Battle of the Books’: Lessing and the Critics,s response to her fiction. I have drawn the epigraph for this chapter from ‘The Small Personal Voice’, first published in 1957. In that essay, Lessing’s call for ‘serious criticism’ springs as much from her annoyance at reviews of . and . as it does from her overview of the contemporary British nove

GEN

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Ultrasonic Tissue Characterizationl (deficient) in relation to nineteenth-century fiction (great, particularly if written by the French or the Russians). Lessing’s call chides what she saw as the effeteness of contemporary British criticism:

GRIEF

and cultural negotiations that make Doris Lessing both a maverick and a mainstream novelist. Examining the pull of paternal and maternal biographical and literary identification in Lessing, Rowe relates them to the tensions between the ordinary and the visionary in her fiction.

軟弱

https://doi.org/10.1007/978-4-431-55075-4 Alfred Taylor, once again, felt too constricted by protocols — this time associated with the life of a British banker in Persia — and decided ‘to light out for the territory’, the Southern Rhodesia that would later become Zimbabwe.