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Titlebook: Domestic Noir; The New Face of 21st Laura Joyce,Henry Sutton Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Gender.Marriage

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樓主: DART
31#
發(fā)表于 2025-3-26 23:13:17 | 只看該作者
32#
發(fā)表于 2025-3-27 02:35:14 | 只看該作者
33#
發(fā)表于 2025-3-27 08:35:35 | 只看該作者
34#
發(fā)表于 2025-3-27 10:51:23 | 只看該作者
35#
發(fā)表于 2025-3-27 13:48:05 | 只看該作者
Domestic Noir and the US Cozy as Responses to the Threatened Homelife and the issues consequent upon twenty-first-century modes of living that force women out of the home. In their analysis of cozy mysteries and domestic noirs, the authors find contrasting yet connected accounts of female responses to the pressures of modern life.
36#
發(fā)表于 2025-3-27 17:59:55 | 只看該作者
The House and the Hallucination in Tana French’s New Irish Gothicul way to analyze character and identity. French’s two novels with female narrators, . (2008) and . (2016), are the primary focus of analysis, and Johnsen’s conclusion makes connections between French’s fictional exploration of modern Ireland to the Tuam babies scandal.
37#
發(fā)表于 2025-3-28 00:01:50 | 只看該作者
38#
發(fā)表于 2025-3-28 04:42:51 | 只看該作者
2947-8340 ord from Julia Crouch, the originator of the term ‘domestic This book represents the first serious consideration of the ‘domestic noir‘ phenomenon and, by extension, the psychological thriller. The only such landmark collection since Lee Horsley‘s .The Noir Thriller., it extends the argument for ser
39#
發(fā)表于 2025-3-28 08:27:40 | 只看該作者
40#
發(fā)表于 2025-3-28 12:52:55 | 只看該作者
https://doi.org/10.1007/978-3-322-97864-6will be arguing here that she also deserves recognition as an antecedent of the recent ‘domestic noir’ subgenre. While Highsmith’s protagonists are predominantly male, my contention is that this is no impediment to the particularly ‘feminine’ discourse that she evokes throughout many of her texts.
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