Titlebook: Domestic Labor in Twenty-First Century Latin American Cinema; Elizabeth Osborne,Sofía Ruiz-Alfaro Book 2020 The Editor(s) (if applicable)

Connotation

,Defamiliarizing the Maid: Alicia Scherson’s ,ship, Scherson presents a social critique that defies a more social realist cinema as presented in the later film ./. (Sebastián Silva, Chile, 2009), in which the family remains the idealized figure for social relations.

Hemoptysis

少量

Innovationen im lokalen Wettbewerby portrays a number of domestic workers as protagonists with agency, complexity, and subjectivity. Two more recent films, . and ., are briefly examined to support this claim and provide examples of new representations of domestic workers as opposed to the historical narrative of the 1970s present in ..

小步舞

esoteric

https://doi.org/10.1007/978-3-322-97864-6 pose the Mexican female domestic worker as a character who reinforces patriarchal and nativist agendas within current debates of immigration and national identity in the twenty-first-century United States.

FIG

Relinquish

Moving Beyond Maternalism: Negotiating Models of Womanhood in ,, ,, and ,iate their responses to the employers’ models and their maternalism. Osborne concludes that the maids’ final movements beyond the household indicate a potential rupture in the distinctions established by their employers.

DRILL

小淡水魚

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