Titlebook: Domestic Labor in Twenty-First Century Latin American Cinema; Elizabeth Osborne,Sofía Ruiz-Alfaro Book 2020 The Editor(s) (if applicable)

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faculty

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Veit-Michael Bader,Albert Benschophe center of . (Sebastián Silva 2009, Chile), . (Jorge Gaggero 2004, Argentina), and . (Andrés Clariond 2014, Mexico). These films represent the figures of the maid and her female employer, who perceives herself as superior, and, as such, presents a heteronormative “model” of womanhood predicated on

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https://doi.org/10.1007/978-3-322-97864-6 workers within the dynamics of power in Brazilian society. By comparing cinematic representations of ., the chapter interrogates whether they can negotiate their humanity in a place—the house of their employers—where they must be serviceable and yet invisible. In his study, Minchillo analyzes how d