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Titlebook: Doing Dramaturgy; Thinking Through Pra Maaike Bleeker Textbook 2023 Springer Nature Switzerland AG 2023 Dramaturgy.Practice.Practice as res

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樓主: fathom
51#
發(fā)表于 2025-3-30 09:22:10 | 只看該作者
52#
發(fā)表于 2025-3-30 14:15:24 | 只看該作者
https://doi.org/10.1007/978-1-349-01642-6others since then, to show how these pave the way for an understanding of dramaturgy as a function in the creative process that can take shape in different ways in different creative processes. The final part of the chapter elaborates an understanding of creative processes as forms of collective thi
53#
發(fā)表于 2025-3-30 20:35:08 | 只看該作者
54#
發(fā)表于 2025-3-30 22:44:56 | 只看該作者
https://doi.org/10.1007/978-3-662-00978-9ces between theatrical staging and reality. This chapter presents a close reading of . from the perspective of the dramaturgical mode of looking introduced in Chap. . and traces aspects of the creative process. The chapter identifies several characteristics of the modes of thinking through practice
55#
發(fā)表于 2025-3-31 02:46:19 | 只看該作者
56#
發(fā)表于 2025-3-31 07:31:11 | 只看該作者
57#
發(fā)表于 2025-3-31 12:31:58 | 只看該作者
58#
發(fā)表于 2025-3-31 15:47:16 | 只看該作者
Doing Dramaturgy dramaturgy in the transition from the emergence of no-one’s thought in collective processes of making toward what the audience encounters, the question why bringing in a dramaturg, and where to begin when working as a dramaturg.
59#
發(fā)表于 2025-3-31 21:25:46 | 只看該作者
60#
發(fā)表于 2025-4-1 01:45:59 | 只看該作者
—Dries Verhoevend in Chap. . and traces aspects of the creative process. The chapter identifies several characteristics of the modes of thinking through practice of the makers and makes observations about the role of dramaturgy in this practice.
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