Titlebook: Documentary Screens; Nonfiction Film and Keith Beattie Textbook 2004Latest edition The Editor(s) (if applicable) and The Author(s) 2004 ex

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National Responses to Global Agenda-Settingt that most work in the category comprised journalistic reports produced for television, aimed to reveal the truths of human existence residing behind the surface facts. Film historian Eric Barnouw (1983: 255) summarized the forms by describing what he saw as their essential differences:

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https://doi.org/10.1007/978-3-030-44893-6e visual language of the autobiography, creating new visual styles that situate the viewer in an intimate relationship with the subject of the autobiography. Other issues beyond new camera technologies have impacted on the development of autobiographical film and video.

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https://doi.org/10.1057/978-1-137-52914-5 In such cases, current affairs programming intersects with a related, though distinct, form of television news reporting, that of the long-form television news documentary, the subject of this chapter.

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The Camera I: Autobiographical Documentary,e visual language of the autobiography, creating new visual styles that situate the viewer in an intimate relationship with the subject of the autobiography. Other issues beyond new camera technologies have impacted on the development of autobiographical film and video.

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