Titlebook: Docudrama on European Television; A Selective Survey Tobias Ebbrecht-Hartmann,Derek Paget Book 2016 The Editor(s) (if applicable) and The A

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,Conclusion: ‘Unity in Diversity’?,Europe’s national PSB broadcasters to reorganize their output according to the demands of the developing European market. International co-productions and co-operations at a European level have become a crucial element of producing and programming television. This has had its effect on docudrama, wh

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https://doi.org/10.1007/978-3-030-47461-4studio re-enactments. This practice resulted from television’s initial limitations in recording on location, but was seen by programme makers as a strength, generating a ‘distinctive aesthetic’ and ‘particular dynamics of narrative’ (Corner 1996, p. 31), and enabling ‘a(chǎn)udience identification’ – thes

男學(xué)院

https://doi.org/10.1007/978-3-030-47461-4Europe’s national PSB broadcasters to reorganize their output according to the demands of the developing European market. International co-productions and co-operations at a European level have become a crucial element of producing and programming television. This has had its effect on docudrama, wh

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