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Titlebook: Doctor Faustus; Text and Performance William Tydeman Textbook 1984Latest edition William Tydeman 1984 Europe.fiction.history of literature.

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發(fā)表于 2025-3-21 16:17:32 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Doctor Faustus
副標(biāo)題Text and Performance
編輯William Tydeman
視頻videohttp://file.papertrans.cn/283/282275/282275.mp4
叢書名稱Text and Performance
圖書封面Titlebook: Doctor Faustus; Text and Performance William Tydeman Textbook 1984Latest edition William Tydeman 1984 Europe.fiction.history of literature.
出版日期Textbook 1984Latest edition
關(guān)鍵詞Europe; fiction; history of literature; literature; twentieth century
版次1
doihttps://doi.org/10.1007/978-1-349-06538-7
copyrightWilliam Tydeman 1984
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 23:05:05 | 只看該作者
‘The Form of Faustus’ Fortunes’ong more disciplined lines. Plays, such as ., which adhered fairly strictly to regular rules failed to constitute acceptable models for those striving to satisfy the popular tastes of Elizabethan London.
板凳
發(fā)表于 2025-3-22 00:50:59 | 只看該作者
地板
發(fā)表于 2025-3-22 06:45:01 | 只看該作者
Stating the Themesions on what to stress and what to play down. With a work such as ., over-emphasis on ambivalence, however admirable in academic terms, can leave spectators baffled; on the other hand, over-insistence on a particular reading can lay a producer open to the charge of limiting our response to a full r
5#
發(fā)表于 2025-3-22 10:23:43 | 只看該作者
Heike Proff,Fabian Falk,Daniel Jaspers as ‘a(chǎn) living man thirsting for the infinite’. Such eulogies continued into the present century, Una Ellis-Fermor discovering in him ‘dignity, patience, tenacity and a certain profundity of thought’ while by 1932 F. S. Boas was applying to a Faustus cast in his creator’s image Horatio’s tribute to t
6#
發(fā)表于 2025-3-22 16:35:27 | 只看該作者
Samta Jain,Smita Kashiramka,P. K. Jainong more disciplined lines. Plays, such as ., which adhered fairly strictly to regular rules failed to constitute acceptable models for those striving to satisfy the popular tastes of Elizabethan London.
7#
發(fā)表于 2025-3-22 19:38:57 | 只看該作者
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發(fā)表于 2025-3-22 22:33:18 | 只看該作者
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發(fā)表于 2025-3-23 04:54:03 | 只看該作者
Selecting the Textportions of each he conflated to form a new whole? How relevant are scholarly opinions as to what is and what is not Marlowe’s personal handiwork? Does ‘directorial interpretation’ include abandoning those parts of the play which do not support a particular reading?
10#
發(fā)表于 2025-3-23 08:40:16 | 只看該作者
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