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Titlebook: Distributed, Ambient and Pervasive Interactions; 11th International C Norbert A. Streitz,Shin‘ichi Konomi Conference proceedings 2023 The E

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樓主: 哥哥大傻瓜
21#
發(fā)表于 2025-3-25 03:24:16 | 只看該作者
https://doi.org/10.1057/9780230271111ed widely available, high quality forecast models that give us 48–72 h of excellent quality and up to 10 days of good quality forecasts. These forecasts enable planning to protect life and property. One recent example of the importance of this capability is in Mozambique. Days of torrential rains le
22#
發(fā)表于 2025-3-25 10:31:56 | 只看該作者
The Statesman‘s Year-Book 1968-69ever, AI with complex logic is difficult for humans to interpret, and there are concerns about various risks such as the impact of environmental changes, fairness, and accountability. In addition, due to the uncertainty of the AI model, it is difficult for the AI model alone to sufficiently cope wit
23#
發(fā)表于 2025-3-25 12:50:29 | 只看該作者
24#
發(fā)表于 2025-3-25 19:43:22 | 只看該作者
25#
發(fā)表于 2025-3-25 23:38:56 | 只看該作者
26#
發(fā)表于 2025-3-26 02:51:08 | 只看該作者
27#
發(fā)表于 2025-3-26 04:38:43 | 只看該作者
The Statesman‘s Year-Book 1968-69ularity of bioacoustics tools is mainly attributable to their low storage volume, ease of transmission, and the possibility of performing data analysis in a retrospective manner. In achieving high-technology-assisted wildlife conservation, one obvious caveat for installing high-end bioacoustics tool
28#
發(fā)表于 2025-3-26 10:16:20 | 只看該作者
29#
發(fā)表于 2025-3-26 16:28:38 | 只看該作者
https://doi.org/10.1057/9780230270978truction model is to scale the 3D model evenly with the equal-scale restore technology, and then it is processed with acrylic, resin and other materials according to the scaling size. The shortages are long production cycles, excessively high processing fees and inconvenient transportation and assem
30#
發(fā)表于 2025-3-26 19:39:03 | 只看該作者
https://doi.org/10.1057/9780230253018rmances. In recent years, demand for live entertainment has been increasing. Nevertheless, it has become clear that, due to factors such as the difficulty of establishing shared sensory communication between performers and viewers in events held online, the degree of satisfaction towards such events
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