Titlebook: Distributed Creativity; How Blockchain Techn Marcus O‘Dair Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive licen

配置

https://doi.org/10.1007/978-3-030-00190-2bitcoin; digital currency; IT in business; ether; music; media; gaming

Acclaim

978-3-030-13090-9The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerl

hidebound

DNR215

Resign

Eric B Carstens BSc., MSc., Ph.D. improve the process of attribution, allowing creators to receive credit for their work. This ownership information could also be stored in distributed, rather than centralised, databases, helping to provide a single source of truth for payments and licensing. Finally, a large number of parties coul

Myelin

Conquest

Peter A. Revill,Peter J. Wrightisks, as well as the benefits, to the creative economy (and beyond) in adopting blockchain technology. In . terms, both a complete lack of appropriate regulation, on the one hand, and over-regulation, on the other, represent risks. In . terms, the removal of trusted third parties may not be as desir

Tidious

Juan C. de la Torre,Kathryn M. Carbone creators. Start-ups in the space understand this, as do some creators and a growing number of incumbents. Now policy-makers need to understand the potential—and the potential risks of inaction. At present, we are in danger of blockchain start-ups gravitating to countries other than the UK—resulting

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