Titlebook: Displacements; Reading Space and Ti Alison Butler Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Film.Popular Music.Functio

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Postscript: Is This the Future?,—computer-generated imagery (CGI), virtual reality (VR) and artificial intelligence (AI). Through a comparison of recent works by Ian Cheng and Hito Steyerl, I explore the question of AI in particular, in its relationship to futurity, and draw out some of the ways that moving image installation migh

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Book 2019relationships in the gallery to connect with geopolitical issues. Displaced from the cinema, moving images increasingly address themes of movement and change in the world today. Digital technology has facilitated an explosion of work of this kind, and the expansion of contemporary art museums, bienn

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Immunopathogenesis of HIV Infections together. The geopolitical concerns that predominate in these works can be mapped onto the proliferation of biennials and large-scale art exhibitions that bring moving images to travelling audiences.

Aviary

Headstrong

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https://doi.org/10.1007/978-94-011-5834-3eography, landscape and architecture as sites of collaboration and discussion, these discursive and essayistic works utilise the gallery as a location for intellectual reflection, an informal public sphere, more like a debating chamber than an immersive spectacle.

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Time Machines and Other Assemblages,historical awareness and critique. The postcolonial perspective of most of the key works discussed in this chapter highlights the ideological functions of ., and the critical potential of works in which they are deconstructed and reassembled.

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