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Titlebook: Disorientation: Muslim Identity in Contemporary Anglophone Literature; Esra Mirze Santesso Book 2013 Palgrave Macmillan, a division of Mac

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發(fā)表于 2025-3-21 17:53:29 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Disorientation: Muslim Identity in Contemporary Anglophone Literature
編輯Esra Mirze Santesso
視頻videohttp://file.papertrans.cn/282/281501/281501.mp4
圖書封面Titlebook: Disorientation: Muslim Identity in Contemporary Anglophone Literature;  Esra Mirze Santesso Book 2013 Palgrave Macmillan, a division of Mac
描述Focusing on British novels about the Muslim immigrant experience published after 9/11; this book examines the promise as well as the limits of ‘British Muslim‘ identity as a viable form of self-representation, and the challenges - particularly for women - of reconciling non-Western religious identity with the secular policies of Western states.
出版日期Book 2013
關(guān)鍵詞British novel; English literature; identity; novel; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9781137281722
isbn_softcover978-1-349-44826-5
isbn_ebook978-1-137-28172-2
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2013
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Islam and British Literature,s of Bloomsbury. After spending the next few months visiting colleges, and meeting with political and cultural leaders, he returned home to found the Mohammedan Anglo-Oriental College in Aligarh in 1875. There, he furthered his life-long support of the literary arts (one critic argued that “modern U
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,Rethinking Hybridity in Monica Ali’s ,al high streets boast not just mosques and cultural centres, but Islamic schools, halal grocers, shops selling everything from “halal toothpaste” to “Islamic toys”—even organisations offering “Islamic medical advice.” In 2011, posters appeared proclaiming the area a “Shariah Controlled Zone.” In the
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,Transnationalism in Camilla Gibb’s ,Africans, and South Sea Islanders.” The Home, in Docklands (part of the Borough of Tower Hamlets, where Brick Lane is located) was a centre for London’s large (60000+ at the time) and growing population of “l(fā)ascars” (Indian sailors—primarily Bengali Muslims) and other Muslim groups. The film is titl
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Resisting Disorientation, as a shortcut to acceptance. The authors of these novels aim to depoliticise Islam without denying or delegitimising it and to present positions that can be accommodated within the secular policies of the adopted state—and satisfy the individual immigrant. To do this, each work ends up having to pr
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