Titlebook: Dislocation, Writing, and Identity in Australian and Persian Literature; Hasti Abbasi Book 2018 The Editor(s) (if applicable) and The Auth

CLAN

https://doi.org/10.1007/978-3-319-96484-3migration; immigration; dislocation; Australian literature; Persian literature; Iran; identity in writing;

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Introduction: Dislocation and Writing, sense of belonging. However, a greater creative capacity can also be cultivated, and immigration can even become a source of creative expression, once the individual in question experiences transnational existence and the feeling of belonging. Writing is a cognitive process that is replete with the

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Writing in Exile,ad to questions of belonging and a quest for identity. During the process of looking for the self in writing in a new culture and language, the exiled writer needs to alternate his/her feelings and identities while switching languages. However, writing in exile is one of the most practical ways in w

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,Malouf’s ,econciled with their surroundings through the experience of exclusion and exile. To Malouf, the suffering of exile can be healed when past and present homes co-exist happily without exiles attempting to ascribe complete truth and superiority to themselves in relation to social and political power, a

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,Parsipur’s , and Iranian Diaspora Women’s Literature,n exile while attempting to traverse ideological boundaries. Parsipur’s characters can be interpreted in terms of nomadic experience as they attempt to go beyond the emotional and cultural sense of dislocation..The 1979 revolution in Iran resulted in the overthrow of the Pahlavi dynasty, which was r

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Dislocation, Writing, and Identity in Australian and Persian Literature978-3-319-96484-3