Titlebook: Dislocated Screen Memory; Narrating Trauma in Dijana Jela?a Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Post-Yugoslav c

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https://doi.org/10.1007/978-3-8349-6164-8triarchal, heteronormative rule to nationalist tendencies. Yet, what remained out of reach in such frameworks is a consideration of queer desire outside of the binary framework that has to perpetually pit it against heteronormativity in order to position it as visible or readable (Jela?a 2012). In t

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Philosophy of Engineering and Technologylinity in Serbia at the time, when tough-guy criminals and their turbo folk girlfriends were celebrated as exemplary performances of the ideal national coupling (a reiteration of ethno-nationalist ideology in the form of what here might be appropriately called “turbo-patriarchy”). As Bjeli? has argu

Halfhearted

Mauricio Ulloa,Curt Brubaker,Peng Cheeic) memory, but also creates memory as such, such displacements, unintended or voluntary, reveal memory as always already replete with gaps, errors, and inconsistencies as much as it is with knowable facts. If . in postwar German cinema reflects “the right thing at the wrong place, the wrong thing a

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insincerity

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The Editor(s) (if applicable) and The Author(s) 2016

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Dislocated Screen Memory978-1-137-50253-7Series ISSN 2634-5951 Series E-ISSN 2634-596X

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depreciate