Titlebook: Discovering Shakespeare‘s Meaning; Leah Scragg Book 1988 Palgrave Macmillan, a division of Macmillan Publishers Limited 1988 knowledge.pla

rectocele

Infelicity

Atmosphere

約會

Ostrich

,Shakespeare’s Expositions, attention of the spectators — a much more difficult task in a Renaissance playhouse than a modern one, where no dipping of the lights helped to create an expectant hush prior to the entrance of the characters — and they must acquaint the members of the audience with any information necessary for an

LAIR

Plays within Plays,order of reality, as the characters upon whom the attention of the theatre audience is ultimately to focus. Egeon, in ., is the father of the twins upon whose resemblance the central action depends; Kent, Edmund and Gloucester play leading roles in Lear’s tragedy; while the soldiers on the walls of

Cardioplegia

來這真柔軟

The Treatment of Character,n being the subject of Chapter 1. Throughout the history of Shakespearian criticism it has been upon the dramatist’s ability to create vital and convincing human beings that attention has principally been focused, and it is the characters of Shakespeare’s plays — Hamlet, Falstaff, Lady Macbeth — rat

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