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Titlebook: Discourse and Disjuncture between the Arts and Higher Education; Jessica Hoffmann Davis Book 2016 The Editor(s) (if applicable) and The Au

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11#
發(fā)表于 2025-3-23 12:11:32 | 只看該作者
Reflecting on the Arts in Urban Schoolse in teaching for equity and social justice. The authors address: the theory and politics behind the course design—how it sought to re-frame “the arts” and re-think the notion of the urban; how the course evolved over time in response to institutional changes and students’ expectations; and the chal
12#
發(fā)表于 2025-3-23 14:20:38 | 只看該作者
Persuasion and Structure: Reform as Recognition from Within and builds on in-place resources and practices. In this chapter, the author tells the story of the inception and development of this one-year master’s program that supports individualized arts-related pathways through a mainstream curriculum. With an eye to replication, the author concludes by outl
13#
發(fā)表于 2025-3-23 19:24:08 | 只看該作者
14#
發(fā)表于 2025-3-24 01:42:20 | 只看該作者
15#
發(fā)表于 2025-3-24 06:08:49 | 只看該作者
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發(fā)表于 2025-3-24 08:23:07 | 只看該作者
17#
發(fā)表于 2025-3-24 13:10:58 | 只看該作者
Approaching Interdisciplinarity in a School of Art and Designthors describe the ways in which students generatively integrate knowledge from a variety of disciplines into their art-making and teaching. In sum, the authors discuss the gains and challenges of this purposeful model and cite its important implications for both higher education and K-12 settings.
18#
發(fā)表于 2025-3-24 17:01:24 | 只看該作者
Reflecting on the Arts in Urban Schools” and re-think the notion of the urban; how the course evolved over time in response to institutional changes and students’ expectations; and the challenges and opportunities of doing social justice work through the arts as well as approaching the arts through a social justice lens in the context of urban schools.
19#
發(fā)表于 2025-3-24 22:43:37 | 只看該作者
20#
發(fā)表于 2025-3-25 02:22:39 | 只看該作者
R. Rodrigues,M. A. Santos,F. N. Correiatists on the one hand as dark, troubled, and child-like (Walker 1993); and on the other as visionary, creative, and socially responsible. In O’Shaugnessy’s time, genius and apprenticeship fueled the artist’s soul; today’s artists seek legitimacy through undergraduate and graduate degrees.
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