Titlebook: Disability, Public Space Performance and Spectatorship; Unconscious Performe Bree Hadley Book 2014 Palgrave Macmillan, a division of Macmil

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書目名稱Disability, Public Space Performance and Spectatorship影響因子(影響力)




書目名稱Disability, Public Space Performance and Spectatorship影響因子(影響力)學(xué)科排名




書目名稱Disability, Public Space Performance and Spectatorship網(wǎng)絡(luò)公開(kāi)度




書目名稱Disability, Public Space Performance and Spectatorship網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書目名稱Disability, Public Space Performance and Spectatorship被引頻次




書目名稱Disability, Public Space Performance and Spectatorship被引頻次學(xué)科排名




書目名稱Disability, Public Space Performance and Spectatorship年度引用




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書目名稱Disability, Public Space Performance and Spectatorship讀者反饋




書目名稱Disability, Public Space Performance and Spectatorship讀者反饋學(xué)科排名

按等級(jí)

Inexorable

Mediocre

陰險(xiǎn)

Conclusion: (Dia)Logics of Difference,isability to a lesser or greater degree, whatever [it is they are] doing on stage or in public. And that’s a good thing’ (2010). In a performance situation, in particular a social performance situation, a disabled person is an unconscious-become-conscious performer with the capacity to intervene in

直覺(jué)好

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直覺(jué)好

Book 2014In Disability, Public Space Performance and Spectatorship: Unconscious Performers, Bree Hadley examines the performance practices of disabled artists in the US, UK, Europe and Australasia who re-engage, re-enact and re-envisage the stereotyping they are subject to in the very public spaces and places where this stereotyping typically plays out.

合適

Nmda-Receptor

companion

Die Maxwell-Boltzmann-Verteilung the diagnostic gaze that typifies modern ways of seeing, imaging and imagining disabled bodies into practice in day-to-day life. They are designed to draw people with disabilities into negotiations of their corporeal differences, and, in the long run, render their idiosyncratic bodies more readable