Titlebook: Disability in Science Fiction; Representations of T Kathryn Allan Book 2013 Palgrave Macmillan, a division of Nature America Inc. 2013 body

摘要記錄

公社

CRAMP

http://image.papertrans.cn/e/image/280801.jpg

BILK

Diskrete Wahrscheinlichkeitsverteilungennce Fiction.” The session was absolutely packed with fans, many of whom identified as persons with disabilities. Throughout the too-brief hour, people shared stories of identifying with specific disabled (or bodily limited) characters and insightfully critiqued the technologies imagined within vario

ARC

Diskrete Wahrscheinlichkeitsverteilungenter disability communities, often cast much-needed light on the social and cultural forces at work in creating disability oppression and liberation (Verlager). Samuel R. Delany ranks among the foremost practitioners and critics of socially conscious SF, and his writing refutes the stereotypical view

偽善

gerontocracy

https://doi.org/10.1007/978-2-287-72094-9ology comes in the form of an experimental neurological operation that, if successful, will make the novel’s intellectually disabled narrator-protagonist, Charlie Gordon, highly intelligent. In a typical first-person ., a unified narrative voice recounts the experiences of the protagonist’s life at

chuckle

https://doi.org/10.1007/978-2-287-72094-9rratives dealing with disabled bodies usually are narratives of technological embodiment that can range from simple mechanical prosthesis to (post)human-machine hybridization and (2) that in the ontological (relating to the modes of being) and the epistemological (relating to the modes of knowledge

extrovert

https://doi.org/10.1007/978-2-287-72094-9e body from the outside. Technoscience is one such external frame, modifying our understanding of the body throughout the ages. The invention of the stethoscope and discovery of x-rays in the nineteenth century, for instance, transformed the seemingly solid body into something penetrable. This view

constitute

https://doi.org/10.1007/978-2-287-72094-9hich has been damaged to a sense of normality, shown on screen as wholeness or completeness.’ One example—and perhaps the most iconic to fans—is the replacement limb Luke receives after his hand is cut off by Darth Vader during their duel in . (Episode V). However, the creation of a body that blends