Titlebook: Directors’ Theatre; David Bradby,David Williams Textbook 1988Latest edition David Bradby and David Williams 1988 20th century.individual.p

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書目名稱Directors’ Theatre被引頻次




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針葉類的樹

pus840

Adjusting Costs and Consequencesowever, despite the mass of material produced around the ‘Grotowski phenomenon’, much remains misunderstood or shrouded in the obscurantist mysticism that . to characterise Grotowski’s own gnomic utterances (the fruit of a peculiarly Polish blend of Catholicism and existentialism).

sterilization

一致性

Studie A: Gesundheitsgefahren im Krankenhausber in decisions of every kind. Yet Stein’s working methods are not collaborative in the same sense as Littlewood’s or Mnouchkine’s. He has always operated on the assumption that ‘scenic writing’ (the organisation by the director of action and design on stage) is as important as ‘dramatic writing’ (the playwright’s text).

Morose

C. Niederau,R. Lüthen,J. W. Heise,H. Beckerprinciple theoretical legacy is the concept of the .: a synthesis of disparate art forms — dance and movement, light, design, music — into a total work of art. Wilson’s major work, from . (1971) to the monumental but ill-fated . fifteen years later, may be seen as an attempt to realise a . of and for our times.

Morose

無辜

AMPLE

刺耳

Peter Brook,rks principally as a catalyst to his actors’ creativity. His art is also marked, however, by his own ethical concerns and has increasingly become a vehicle for spiritual search, both for himself and for the members of his international research group.