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Titlebook: Directing for Stage and Screen; Marian F. Monta,Jack R. Stanley Book 2008 Marian F. Monta and Jack R. Stanley 2008 film.stage.television

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樓主: Cleveland
21#
發(fā)表于 2025-3-25 05:29:52 | 只看該作者
What About the Script?,omposes it. At times, that is the same person. Perhaps the person is called the “writer-director” (the hyphenate). But this chapter deals with the script from the point of view of someone who is not involved in its creation. Someone else wrote the script, and the director decides to execute it.
22#
發(fā)表于 2025-3-25 07:29:01 | 只看該作者
Working with Actors,ting process. But first, let’s look at the actor from the director’s point of view. Whether or not you had any say in selecting the actors with whom you work, you still have to do your best with them once they are cast.
23#
發(fā)表于 2025-3-25 15:13:02 | 只看該作者
24#
發(fā)表于 2025-3-25 19:16:33 | 只看該作者
Movement,the camera movement has the same use and effect as actor movement between points. Movement takes place between compositions. In order to really see movement on the stage or screen, the actor, object, or camera must travel at least five feet.
25#
發(fā)表于 2025-3-25 23:38:29 | 只看該作者
Book 2008If directing dramatic productions interests you, this book is a basic guide to show you know to apply the principles of directing to any dramatic medium - stage, television, or film. The authors, who have worked in all three media, illustrated how the principles of one medium relate to the other two.
26#
發(fā)表于 2025-3-26 00:32:58 | 只看該作者
https://doi.org/10.1057/9780230610453film; stage; television
27#
發(fā)表于 2025-3-26 04:55:39 | 只看該作者
28#
發(fā)表于 2025-3-26 10:05:45 | 只看該作者
29#
發(fā)表于 2025-3-26 13:54:31 | 只看該作者
https://doi.org/10.1007/978-3-642-99545-3formal role of the director has changed considerably over the years. According to some books, the job description of the director, as we know it, was invented by the Duke of Saxe Meiningen. in the late nineteenth century. Yet as long as there has been theatre, someone had to tell the other people wh
30#
發(fā)表于 2025-3-26 17:56:44 | 只看該作者
https://doi.org/10.1007/978-3-642-99545-3omposes it. At times, that is the same person. Perhaps the person is called the “writer-director” (the hyphenate). But this chapter deals with the script from the point of view of someone who is not involved in its creation. Someone else wrote the script, and the director decides to execute it.
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