Titlebook: Dimensions of Monstrosity in Contemporary Narratives; Theory, Psychoanalys Andrew Hock-soon Ng Book 2004 Palgrave Macmillan, a division of

富裕

書目名稱Dimensions of Monstrosity in Contemporary Narratives影響因子(影響力)




書目名稱Dimensions of Monstrosity in Contemporary Narratives影響因子(影響力)學(xué)科排名




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書目名稱Dimensions of Monstrosity in Contemporary Narratives網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Dimensions of Monstrosity in Contemporary Narratives被引頻次




書目名稱Dimensions of Monstrosity in Contemporary Narratives被引頻次學(xué)科排名




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書目名稱Dimensions of Monstrosity in Contemporary Narratives讀者反饋




書目名稱Dimensions of Monstrosity in Contemporary Narratives讀者反饋學(xué)科排名

膠狀

Chagrin

Book 2004 demonstrates that the monster (and monstrosity) is largely a cultural and ideological production. Figures such as the serial-killer, the monstrous child, deformed bodies and spatially-influenced monstrosity will be considered through analyses of texts by Peter Ackroyd, Bret Easton Ellis, and Angela

效果

會議

無瑕疵

無瑕疵

Book 2004ild, deformed bodies and spatially-influenced monstrosity will be considered through analyses of texts by Peter Ackroyd, Bret Easton Ellis, and Angela Carter (among others). The conclusion proposes that language itself becomes monstrous when it attempts, and fails, to articulate the monster.

remission

nstrous child, deformed bodies and spatially-influenced monstrosity will be considered through analyses of texts by Peter Ackroyd, Bret Easton Ellis, and Angela Carter (among others). The conclusion proposes that language itself becomes monstrous when it attempts, and fails, to articulate the monster.978-1-349-52250-7978-0-230-50298-7

不能妥協(xié)

無思維能力

Louis Brennan,Natalia Utrero-Gonzálezon the template of the body. It is, after all, his ‘hideousness’ that turned his creator away from him in shock and disgust in the first place. Victor describes his creation as variously a ‘catastrophe’, ‘the wretch’, ‘breathless horror’, and finally: