Titlebook: Digital Theatre; The Making and Meani Nadja Masura Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Computer-generated.Audien

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Ajita Rattani,Reza Derakhshani,Arun Rossth digital and theatre in terms of copresence, limited interactivity, verbal communication, and being digitally enabled, thus making it a subset of the types of works found in the broader Digital Performance Archive (DPA).

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Introduction: Whose Selfie Citizenship?al space to dispersed outdoor environments. Also discussed are other distance collaborations such as . which featured three separate university theatre departments in one show. Intelligent Theatre spaces as seen at ASU, in David Saltz’s ., and the Digital Performance Group’s collaborative work ..

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2947-5848 t to try to tell stories using the technology available to uDigital Theatre is a rich and varied art form evolving between performing bodies gathered together in shared space and the ever-expanding flexible reach of the digital technology that shapes our world. This book explores live theatre perfor

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Inject/ed: Self(ie) Determinationhers (with wearable computers tracking movements), the University of Georgia’s . (where the body of the actor controls the animated scenery), and Mark Reaney’s . (which allows the actor’s voice to create the visual scenery).