Titlebook: Digital Shakespeares from the Global South; Amrita Sen Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license

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書目名稱Digital Shakespeares from the Global South影響因子(影響力)




書目名稱Digital Shakespeares from the Global South影響因子(影響力)學(xué)科排名




書目名稱Digital Shakespeares from the Global South網(wǎng)絡(luò)公開度




書目名稱Digital Shakespeares from the Global South網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Digital Shakespeares from the Global South被引頻次




書目名稱Digital Shakespeares from the Global South被引頻次學(xué)科排名




書目名稱Digital Shakespeares from the Global South年度引用




書目名稱Digital Shakespeares from the Global South年度引用學(xué)科排名




書目名稱Digital Shakespeares from the Global South讀者反饋




書目名稱Digital Shakespeares from the Global South讀者反饋學(xué)科排名

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Global Shakespeareshttp://image.papertrans.cn/d/image/279661.jpg

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Einleitung in das Recht des Besitzesnon-Anglophone countries in the Global South: articles appeared in regional journals, institutional bulletins, and society newsletters, each of which might have a publication run of only a few dozen copies. This chapter traces the move from regionalized Shakespeare publication to truly global public

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Eigentumserwerb vom Berechtigtenble the performances and textual translations from Latin America. This chapter argues that these websites open up new possibilities of community building through their curatorial strategies and social outreach. They not only act as repositories of actual performances, but also function as archives o

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https://doi.org/10.1007/978-3-662-09791-5e pedagogy in the country. In doing so, he traces a connect with the colonial pedagogy and its post-independence forms with the current online avatar, especially from post-Covid times. While addressing the more commonly advertised narrative of technological promise, this chapter also points out how,

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