Titlebook: Digital Peripheries; The Online Circulati Petr Szczepanik,Pavel Zahrádka,Paul Stepan Book‘‘‘‘‘‘‘‘ 2020 The Editor(s) (if applicable) and Th

消瘦

https://doi.org/10.1007/978-94-010-3499-9tional in terms of screen size choices and preferences for local and global media products. In our assessment of these results, we discuss the importance of a political–economic perspective on audiences’ structured practices and preferences.

motor-unit

Small, Middle, Test: Rescaling Peripheral Media Marketsstions of sovereignty, and if considering media markets as “middles” encourages ideas of circulation and brokerage, then understanding media markets as testing grounds can encourage ideas of experimentation and adaptation.

空洞

Structured Film-Viewing Preferences and Practices: A Quantitative Analysis of Hierarchies in Screen tional in terms of screen size choices and preferences for local and global media products. In our assessment of these results, we discuss the importance of a political–economic perspective on audiences’ structured practices and preferences.

Nibble

Book‘‘‘‘‘‘‘‘ 2020ean markets. This open access book addresses the specific qualities of smaller media markets, highlighting their vulnerability to global digital competition and outlining survival strategies for them. New online distribution models and new trends in the consumption of audiovisual content are limited

神經(jīng)

The Czech and Slovak Audiovisual Market as a Laboratory Experiment for the Digital Single Market in s of the business model for audiovisual content in small markets. Based on the lessons learned, the chapter offers a reflection on the sustainability of the online business model of the film industry in the EU with respect to consumer demand and European Union competition law.

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