Titlebook: Digital Participatory Culture and the TV Audience; Everyone’s a Critic Sandra M. Falero Book 2016 The Editor(s) (if applicable) and The Aut

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U. Hartmann,A. Mader,W. Hollmannience criticism with older models that date back to the sixteenth century, namely theater audiences and the development of “audience sovereignty” as a concept. Through a discussion of the professionalization of media in the nineteenth century, she documents the end of “audience sovereignty” and the

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Berlin und das Pathologische Institut, had rapport and connected despite the critical nature of the site. These discussions resulted in what some members regarded as positive changes in their television programs. In particular Falero discusses the . message boards, and site members’ continued quest to get more screen time and a better s

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Grundlegende Ordnungshilfen beim Gestalten to own the site. The technology used by the site, and the management of “infractions” through it, created real limitations on discussion. The labyrinth of rules that developed as the membership grew served to stifle discussion, particularly political speech. A study of the fringe spaces of . shows

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https://doi.org/10.1057/978-1-137-50000-7Digital culture; message board communities; television critics; television criticism; participatory cult

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