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Titlebook: Digital Da Vinci; Computers in the Art Newton Lee Book 2014 Springer Science+Business Media New York 2014 3D printing.Architecture.Computab

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樓主: 叛亂分子
21#
發(fā)表于 2025-3-25 04:02:50 | 只看該作者
22#
發(fā)表于 2025-3-25 10:23:33 | 只看該作者
The Cambridge Platonists and Averroesdesign. The aim below is to draw attention to a centuries old visual design with a repetitive quality that resonates with computational iteration while finds its character in variations that result from seeking and seeing different relations.
23#
發(fā)表于 2025-3-25 14:19:08 | 只看該作者
Gordon McMullan (Lecturer in English) real time and recorded moving and still images to be embedded within artwork previously limited to still imagery and makes possible the fragmentation and reconstruction of the picture plane into multiple moving images with a remarkably high degree of resolution.
24#
發(fā)表于 2025-3-25 15:54:38 | 只看該作者
Repeating Circles, Changing Stars: Learning from the Medieval Art of Visual Computation,design. The aim below is to draw attention to a centuries old visual design with a repetitive quality that resonates with computational iteration while finds its character in variations that result from seeking and seeing different relations.
25#
發(fā)表于 2025-3-25 21:11:11 | 只看該作者
26#
發(fā)表于 2025-3-26 02:57:33 | 只看該作者
27#
發(fā)表于 2025-3-26 04:31:05 | 只看該作者
28#
發(fā)表于 2025-3-26 10:35:12 | 只看該作者
29#
發(fā)表于 2025-3-26 14:55:57 | 只看該作者
Gordon McMullan (Lecturer in English)gering design of these inventions exceeded the available technology of the time. The limitations of the Renaissance manufacturing processes and materials prevented many of these inventions from reaching even the stage of a prototype.
30#
發(fā)表于 2025-3-26 16:56:48 | 只看該作者
Renaissance Drama and a Modern Audience with this process raised the question of whether the series would converge to a static attractor, traverse a contour of infinite variation, or diverge to an untenable state. Reflection on these early results encourages further development of the recursive fabrication process, and lays groundwork for a theory of trans-phenomenal artifacts.
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