Titlebook: Digital Convergence: The Information Revolution; John Vince,Rae Earnshaw Book 1999 Springer-Verlag London Limited 1999 Broadcast.Computer.

象形文字

Painstaking

Cultural Objects in Digital Convergencends in digital media, we discuss the nature of cultural objects within different paradigms of interactivity. Taking as a starting point the opposition between interactive experience and document-based cultural objects, we introduce a possible alternative scenario based on the development of intellig

用樹皮

機(jī)制

Agent-Based Facial Animationcribe a real-time facial animation algorithm based on an agent-like approach. The algorithm is part of a model-based video coding system intended for videoconferencing on the Internet. The paper describes how remotely downloaded scripts in the Tcl programming language, termed “Animation Agents” cont

chapel

原來

Virtual Rehearsal Over Networks time. With the advent of new technology, the rehearsal process can be more flexible. The system described in this chapter acts as a complement to existing rehearsal methods. More often than not, rehearsals take place without a constructed set. In a virtual rehearsal environment, the set can exist f

ALLAY

合并

Paradox

Jogging the Memory: Dynamic Visualization Over the Webber of popular visualization packages. Following the rise in popularity of the World Wide Web (WWW), traditional explanatory uses of visualization have been complemented by . Here, the ability to publish 3D scenes using the Virtual Reality Modeling Language (VRML) has led to an increase in shared un

音樂學(xué)者

“Thin” vs. “Fat” Visualization Clientsand raises the issue of client vs. server data visualization rendering. Real-time visual data manipulation does not translate well into a “thin” client. While the VRML file format allows distribution of visualization scenes to the Web, the user has no interactive control of the underlying raw data s