Titlebook: Difference, Sameness and DNA; Investigations in Cr Paul Vanouse Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive

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https://doi.org/10.1007/978-981-13-1957-0etaphor of DNA science–the metaphor of the (genetic) map and its associates: colonialism, abstraction and rationalized space. Drawing on DNA imaging techniques first explored in ., the . project is an oppositional strategy, rematerializing the territory of the map and (electrically) polarizing the Cartesian logic of contemporary techno-science.

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Introduction, the twentieth century, which have informed over twenty years of my critical artistic engagement with the life sciences. It elaborates my artistic motivations as well as the personal and situational factors influencing this work, beginning in the mid-1990s and continuing through 2020. Finally, it su

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Making Difference,describe as an epistemic imperative. Epistemic characteristics are often difficult to recognize because they permeate our disciplines, our languages and our social realities. This chapter focuses on the emergence of racial categories alongside varied techno-sciences of human difference and individua

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臨時抱佛腳

Pattern, Identifying: Latent Figure Protocol,in the late 1800s as a method of social control and subsequently its seeming reincarnation in the late 1900s as DNA fingerprinting. In . (.), I reverse-engineer DNA fingerprint techniques to highlight how the DNA image is produced rather than imprinted, an important distinction in claims of authorit

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KIN

cleaver

Aesthete

Sweat, (Re)materializing: Labor,ting human agency also contests DNA determinism. Our bodies serve as hosts to a myriad of flows, forces, metabolisms and behaviors of intimate microorganisms. The work of such non-human agents living as “micro performers” on the human body is the focus of my recent artwork, ., a multi-sensory art in

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