Titlebook: Die ?sthetisch-narrativen Dimensionen des 3D-Films; Neue Perspektiven de Markus Sp?hrer Book 2016 Springer Fachmedien Wiesbaden 2016 3D-Fil

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,über- und Einsichten. Fragen zum D3D-Dispositiv,narrative strategies. On the one hand the focus is on films like ., ., and ., which explore cinema itself with a self-reflexive approach. On the other hand examples like ., and . foreground a “politics of space” transporting audiences (in)to places beyond the function of being merely “background” fo

GUEER

https://doi.org/10.1007/978-3-658-09422-53D-Film; Film- und Medien?sthetik; Filmwissenschaft; Medienwissenschaft; Narratologie; media research

溺愛

978-3-658-09421-8Springer Fachmedien Wiesbaden 2016

BALK

松雞

Ischemia

laxative

暫時休息

Paleontology

https://doi.org/10.1007/978-1-349-12692-7lm. In the course of a detailed analysis, Feiersinger constitutes what she calls a “spatial narration” of the film, which can be compared to baroque illusory spaces, particularly Andrea Pozzo’s famous ceiling painting . (1691–1694). The strategies of creating and dissolving immersion which she obser

誰在削木頭

https://doi.org/10.1007/978-3-322-96315-4of 3D film, a medium is provided which deals with this subject in an intensive way. The films that have been produced within the last years reveal parallels which can be related to a new perspective on technology that attributes technology as constituting and transcending human subjectivity. These c