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Titlebook: Dickens, Europe and the New Worlds; Anny Sadrin (Professor of English) Book 1999 Palgrave Macmillan, a division of Macmillan Publishers Li

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發(fā)表于 2025-3-30 10:20:54 | 只看該作者
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發(fā)表于 2025-3-30 15:57:28 | 只看該作者
https://doi.org/10.1007/978-1-349-27354-6Charles Dickens; novel; Victorian era
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發(fā)表于 2025-3-31 06:44:55 | 只看該作者
Why D.I.J.O.N.? Crossing Forbidden Boundaries in those suspect full stops between each letter, was taken by some as a joke or a riddle. I had a few phone calls from friends who hazarded guesses, at least on the first letter: ‘Of course, it is “D” for Dickens,’ one said; ‘Of course, it is “D” for Dombey,’ asserted another. And, of course, ‘D.I.J.O
57#
發(fā)表于 2025-3-31 12:39:46 | 只看該作者
Dickens, , and the Paris Boulevardshe left shoulder; no other mark.’ This is how Dudley Costello, at the end of his impressive . article ‘Blank Babies in Paris’ (HW, VIII, 379–82; 17 December 1853), translates the registry entry for a new arrival at the Foundling Hospital in Paris in the Rue d’Enfer. Costello, responding to Dickens’s
58#
發(fā)表于 2025-3-31 15:23:22 | 只看該作者
Spectacle and Speculation: the Victorian Economy of Vision in palazzo in Venice, a strange spectacle looms before her as she gazes down at the ancient canals that flow outside her window: Venice disappears, and London rises into view. Dickens describes how Amy would stand on her balcony and, ‘watch the sunset, in its long low lines of purple and red, and its b
59#
發(fā)表于 2025-3-31 18:51:13 | 只看該作者
: Dickens, Rome, and the Eternal City of the Mindlumns, and tablets with half-effaced and unreadable inscriptions. He may content himself with inspecting what lies exposed to view, with questioning the inhabitants — perhaps semi-barbaric people — who live in the vicinity, about what tradition tells them of the history and meaning of these archaeol
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發(fā)表于 2025-4-1 00:42:36 | 只看該作者
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